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Here's what the Media is reporting about Robert Tonner:

  • From "For Robert Tonner, It's Been a Very Good Year" by Myrna Lippman Rubenstein for Doll Reader September 2002 (Primedia Publications, PA)

"Doll Artist and Teacher Lewis Goldstein made a prediction about Robert Tonner 10 years ago in Doll Reader, and he was right on the money: 'Although he is not yet well known,' wrote Lewis, 'he should be and will be.'"

  • From "A Sense of Style" by Louise Fecher for Dolls Magazine July 1994 (Collectors Communication Corp., NY)

"Anyone who's seen Tonner's dolls knows that excels at both sculpting and clothing design."

"Some artists concentrate on sculpting the head and forget about the body, the arms and the legs, and the costuming.  So they have wonderful heads, but they don't have the overall picture.  Robert is fussy about every little thing and, as a result, his dolls are perfect people in every little way."

  • From "Highly Fashionable Fund-raisers" (Cover Story) appearing in Dolls Magazine October 1995 (Collectors Communication Corp., NY)

"'When I saw the exhibit of the French Théâtre de la Mode at The Metropolitan Museum of Art,' Tonner recalls...I started thinking...it would be great to do something like this today...'"

"The idea stayed in the back of his mind for the next few years as he became absorbed in his own growing doll company...after experiencing the success of the first annual Doll & Teddy Bear Expo...Tonner approached (Dolls Magazine)...enthusiasm was high, and the idea began to take shape."

  • From "Starry, Starry Night - Fund-raisers Fashion an Evening of Dolls, Bidding and Dancing" by Stephanie Finnegan for Dolls Magazine May 1996 (Collectors Communication Corp., NY)

"Doll enthusiasts and star-gazers who attended Dolls Have Heart, a Romantic Evening of Dolls and Fashion, paid anywhere from $100 to $1,000 for a ticket.  The evening was staged to raise money via the live auction and silent bidding on 57 of Robert Tonner's vinyl 20-inch American Model dolls.  The dolls were styled and garbed in one-of-a-kind outfits from some of 7th Avenue's leading designers: Calvin Klein, Anna Sui and Betsey Johnson, to name a handful."

"With Demi's (Moore) promise of a kiss to...winner, it was not surprising that Bruce Willis emerged victorious.  The Dolce & Gabbana doll was purchased for $50,000."

  • From "Betsy McCall Takes the Doll World by Storm" (Cover Story) by Sallie James for Contemporary Doll Collector Magazine August/September 1997 (Scott Publications, MI)

"The posable, playable Betsy - Tonner's first try at mass production, has hit collectors by storm.  At $79 retail, the doll is affordable, adorable as well as beautifully sculpted and dressed."

"Tonner's Betsy captures the doll's classic looks and innocent spirit, but modernizes and blends them into a new doll with fresh appeal."

"Tonner's Betsy is a big step away from the work on which he has made his name.  The dolls that made Tonner famous were limited, more expensive, and extremely realistic."

"When he first began sculpting dolls, his stunning limited edition porcelains sold for $1,200 each.  Later dolls were even pricier, running as high as $2,000 each."

  • From "The Edith Head Collection - Spotlight on Hollywood Glamour Dolls" (Cover Story) by Polly Guerin for Doll World Magazine April 1998 (House of White Birches, IN)

"Master mold maker and haute couture fashion authority Robert Tonner, an award-winning doll designer and head of the Robert Tonner Doll Co., has been engaged to create the prototype for the exquisite 16" porcelain dolls and their Hollywood -inspired costumes."

"In the spirit of Edith Head, Mr. Tonner is the ideal designer to develop the dolls and costumes.  His experience designing clothes for celebrated designer Bill Blass, and designing his own collections for New York City's Fashion Avenue, has served him well as the quintessential fashion designer in the doll genré."

"If you don't take dolls out of their box, they never have a life - Robert Tonner"

"Every time I see Robert I think about how far he has come and yet he has never lost the 'wonder' that I found so fascinating about him 20 years ago.  He is in his element with Betsy McCall, for the common thread is the ability to be fascinated by the ordinary, and turn the simplest event into an adventure. - A. Glenn Mandeville"

"Exciting things are happening in the doll industry today because of Robert Tonner and his wonderful line of Betsy McCall dolls.  The world of vintage Betsy McCall collecting has grown with renewed interest - luncheons and conventions are growing in number."

"Robert has brought so much happiness to the world through his dolls he so loves to create.  It is not often we collectors are blessed with such a multi-talented artist!"

  • From "Talking with Tonner" (Cover Story) by Mary Graff for Doll Reader Magazine May 1999 (Primedia Publications, PA)

"When news hit the Web of Tonner's licensing agreement to recreate Mary Engelbreit's Ann Estelle character as a play doll, Engelbreit fans, unable to wait until the doll's spring 1999 release, contacted (the company) for more information."

"Tonner's outfits were also produced directly from (Mary Engelbreit's Home Companion Magazine) paper doll designs."

  • From "Elegant Perfection: The Dolls of Robert Tonner" (Cover Story) by Jill Sanders for Contemporary Doll Collector Magazine November 1999 (Scott Publications, MI)

"Just as as string of perfectly matched pearls draws your eye and calls out to be touched, the glamorous models and charming children by Robert Tonner Dolls appeal with their elegant simplicity.  Original, designer quality costumes reflect their creator's fashion industry background.  Tonner's desire for perfection shows in everything he produces.  The United Federation of Doll Clubs chose Tonner to design the souvenir doll, Ariana, for their 50th anniversary convention.  UFDC Convention Coordinator Becky Moncreif said, "Robert is one of the most talented and delightful artists in the industry."

"Barbara Steiker, long-time friend and mentor to Tonner, said of him, "No one else can equal Robert's eye for fashion.  His dolls have eye appeal.  They are a quality product."

  • From "Fashion Doll Renaissance" by Jane Sarasohn-Kahn for Miller's Fashion Doll Magazine May 1999 (Miller's, WA)

"The good news is Tonner's Tyler Wentworth.  To call her a 'fashion doll' would be a disservice.  She breaks the barrier of just "Better than Barbie," which is the barometer some adult collectors have used for the past few years.  At a minimum, this is a high fashion doll."

"So keeping with the renaissance theme, Tonner must be considered the Leonardo of this year's fashion doll rally."

"There is nothing 'faux' in this line.  There is no need to use 'quotation marks' when speaking about any aspect of this collection.  That's because Tyler is the real deal.  She wears 100% cashmere, 100% silk, 100% wool, and originally-designed jewelry."

"There's another 'best part' to the Tyler Wentworth story.  There are no public shareholders to worry about quarter-to-quarter profitability and no over focus group-ization to standardize or cheapen product lines."

  • From "Culture Club" by Dave Gerardi for Playthings Magazine November 2000 (Cahners, NY)

"Manufacturers are striking a careful balance between realistically proportioned figures and those that simply look great."

"Fashion dolls are not immune to this trend.  Robert Tonner, owner and designer of Robert Tonner Inc., gave his Tyler Wentworth brand a story line and a realistic body.  She is a fashion designer, not a model or actress.  And she has play value, something Tonner said has become more important to manufacturers over the past 15 years."

"New collectors want to play with the doll, change the clothes, paint the face and change the hair.  This, (Tonner) predicted, will open up the accessory area of the industry."

  • From "She's Got Style! A Fashion Doll Portfolio" by A. Glenn Mandeville and Beth Owens for Doll Reader Magazine November 2000 (Primedia Publications, PA)

"Robert Tonner's facial sculpting is exquisite.  His children are utterly charming, his women are beautiful and lifelike, yet idealized.  He seems to have a special gift for sculpting African-American women.  The face of Esmé is elegant, strong and graceful."

"It's fun to have a little piece of the New York garment district on this fashion doll runway!"

"The Robert Tonner Doll Company began in the early 1990s with multi-jointed porcelain fashion dolls, but hit the jackpot when he first licensed Betsy McCall and reproduced her in 14" vinyl.  Betsy is reminiscent of the McCall paper doll from the 1950s and is available dressed or with additional outfits."

"Tonner was (and still is!) unique in the doll world for his ability to capture the magic of childhood in winsome, utterly delightful child dolls as well as interpret the elegance and glamour of haute couture in his adult fashion dolls."

"The mid-90s saw the emergence of fashion dolls that differed not only from Barbie® dolls but from Gene as well.  The popularity of dolls such as Tonner's American Models, introduced the year prior to Gene's debut, and Madame Alexander's re-vamped and revitalized Cissy, introduced a year after Gene, indelibly influenced the standard by which the new genre of fashion dolls would be judged."

"...while Tyler has a similar air or refinement and grace...she was born of Robert Tonner's personal tastes and experiences, not patterned after...anyone else."

"...Tyler is also posable, with hinged, articulated knees that permit a perfect 90-degree bend.  Perfecting that joint at the knees was a labor of love, for it literally took years for Tonner to develop one that would be fairly unobtrusive yet permit a wide range of motion."

  • From Dolls at 2000 - A Celebration of Dolls at the Millennium edited by Rosalie Whyel for the United Federation of Doll Clubs' Fin du Millénaire  ©2000 UFDC All rights reserved. UFDC, MO. Click here to visit the UFDC Website.

"Fine artists are sculpting dolls and designing their presentation and costuming with the intent to have the dolls produced in a closely supervised setting under direct control of the artist.  Examples of artists pursuing this high quality doll art form include R. John Wright, Wendy Lawton, Robert Tonner, Helen Kish, Alice Leverett, Hildegard Günzel and other fine designing doll artists."

"In essence, these artists are establishing a new category of artist dolls which are extremely popular with doll collectors today."

  • From "Interview with Mel Odom" by Stacy Berns for Dolls in Print Magazine Premiere Issue 2000 (VHOTN Dolls in Print; Vicky's Net Results, Inc., FL)

"(Stacy Berns) It is known that you are a doll collector, so what do you think of Gene's competition: Tyler, Daisy & Willow, Alex, Brenda Starr, Franklin Mint's line of vinyl dolls?

(Mel Odom) I have a number of them.  Imitation is flattering, and it's a great size (referring to Gene's size).  As for Tyler, I believe that Robert had something on the drawing board for quite sometime."

"As most fashion doll collectors already know, Tonner has succeeded spectacularly with (Tyler) Wentworth!  The doll has the perfect proportions for showing off beautifully miniaturized fashions.  She is a true PLAY doll, and she has outstanding clothing and accessories.  She is very poseable."

"Being a fashion doll, of course, clothing is KEY to Tyler, and Tyler's fans have not been disappointed.  Tonner has concentrated on using only the finest in fabrics--linen, cashmere, silk and mohair have all already been used in Tyler's outfits.  Tonner looks for proper fabric all over the world for Tyler's outfits--Europe and Asia.  Tonner has created clothing for many of Tyler's occasions--work, ball gowns, cocktail dresses, sleep wear, business suits, resort wear.  Again, this was part of Tonner's dream for a fashion doll, and something that his earlier American Models lacked." 

  • From "Happy 50th Birthday, Betsy" (Cover Story) by Myrna L. Rubenstein for Doll Reader Magazine February 2001 (Primedia Publications, PA)

"The 21st century version of 8-inch Betsy is as adorable as her 1950s predecessor.  Her pert face, petite size and cute clothes will make grownups wish that they still had kid-sized fingers to play with her."

"Admirers of the 1950s Betsy will delight in the authentic elements of Tonner's new doll."

  • From "An Update: New Fashion Dolls" appearing in Doll News Magazine, Journal of the United Federation of Doll Clubs, Spring 2001 (Doll News UFDC, MO)

"The concept for Tyler Wentworth was a brilliant idea implemented by award-winning doll and fashion designer, Robert Tonner.  His first-hand knowledge of the fashion industry...combined with his considerable sculpting talents has yielded a most appealing fashion doll.  Tyler Wentworth...has captured the respect and admiration, not only of collectors, but also of fellow fashion doll industry executives.  Tyler's sophisticated and tasteful style exudes pure luxury from every stitch, appealing to collectors and designers as well."

  • From "Catwalk Chic from the House of Tonner" (Cover Story) by Louisa Maxwell for Doll Magazine April 2001 (Ashdown Publishing Limited, West Sussex, UK)

"Since their launch in 1991 Robert Tonner's dolls have captured the imagination of collectors and fashion designers worldwide.  Vivienne Westwood, John Galliano, Pearce Fionda, Bruce Oldfield and Stella McCartney are just a few of the designers who have dressed these miniature super models for charity."

"Robert Tonner's haute couture background is evident in the sophisticated styles he creates for Tyler.  The costumes have that chic look that says Fifth Avenue and are quintessential American style."

  • From "The Fashion Doll Frenzy Continues..." by A. Glenn Mandeville for Barbie Bazaar Magazine June 2001 (Murat Caviale, Inc.; WI)

"Tyler seems more real to her fans.  The addition of a drafting table and sketches is reminiscent of Barbie doll and the introduction of her story line and structures to the saga.  This is a doll worth watching."

"Tyler Wentworth, in my opinion, is one of the best dolls to ever hit the fashion doll runways.  Robert's fashion background and knowledge of fabrics give him a cutting edge in the fashion doll marketplace.  It is hard to imagine a fashion doll collection without an example of Tyler Wentworth!  Many editions are VERY limited and the buzz at Toy Fair was that it was to be a total sell out at the Wholesale level.  Place your order now, would be my advice."

"One of the most successful makers of contemporary bride dolls is the Robert Tonner Doll Company based in Hurley, New York.  Its founder, Robert Tonner, brings a keen sense of style to his creations."

"For Here Come the Bride Dolls, Tonner created two spectacular dolls: his first-ever Tyler Wentworth brides."

  • From "For Robert Tonner, It's Been a Very Good Year" by Myrna Lippman Rubenstein for Doll Reader September 2002 (Primedia Publications, PA)

"Whatever the reason, watching Robert Tonner evolve as a doll maker and entrepreneur is to observe a creative powerhouse who continues to engender new ideas with strategic appeal."

  • From "Robert Tonner: The Collector's Couturier" by Louise Fecher for Dolls Magazine August 2002 (Jones Publishing, Inc.; WI)

"In the real world, fashion isn't always fun.  Upscale stores and boutiques are filled with stick-narrow clothing clearly never meant for a woman's hips, chic designer garments with sky-high price tags, and oh-so-pretty shoes that go medieval on our feet.  But thanks to Robert Tonner, the doll world's leading couturier, we can live out all our fashion fantasies with ease."

"Lest you worry that all work and no play will make Robert Tonner a dull boy, you can be assured that he really does enjoy his work.  Whether he is experimenting with color palettes for his beloved Tyler or creating clothes for his darling Tiny Betsy, he truly is 'having a blast.'  In fact, it's hard to tell who is having more fun these days - the man who makes the dolls or the collectors who bring them home."

  • From "Simply Sydney - A Model Life" by Barry Sturgill for HauteDoll January 2004 (Murat Caviale, Inc.; WI)

"Believe in the Power of Play...that's the now-famous slogan of the Tonner Doll Company, a name that's synonymous with style, quality and flair in the world of modern doll making."

"(Robert's) vast knowledge and hands-on experience with various doll making processes qualify him as one of the world's leading doll artists and authorities."

 

  • From "Leading Ladies" by Nayda Rondon for Dolls Magazine August 2004 (Jones Publishing, Inc.; WI)

On discussing her design project for themed home collections including commissioned likeness porcelain dolls by Robert Tonner:

"...(actress Jane) Seymour emphasizes...'I have always designed; I have created my own things and I've collected.  I know how it's done, so I can appreciate when it's done really well.  That's why I'm so excited to work as a team with people who are so professional; they will listen to my ideas and recognize that I'm not asking them something that is impossible.'"

  • From "Tyler Wentworth and the World of Fashion" by Timothy M. Gunn, Chair, Department of Fashion, Parson School of Design,  Taken from The Tyler Wentworth Fifth Anniversary Album (Reverie Publications MD 2004)

"Tyler's collection evoke dressmaker precision combined with a draper's finesse.  Elegant ball gowns drift and sway as if made of cotton candy.  Classic tailored suits fit with supple ease and radiate a buttery softness.  Her sportswear displays a sporty formality that is hugely appealing and her attention to finishing details is the mark of a consummate pro."

  • From Creative Fashion Presentations by Polly Guerin (Fairchild Publications, New York 2005)

"Paris may be synonymous with haute couture, but Robert Tonner, award-winning doll designer and Tonner Doll Company president, is to the doll world what Dior is to the world of fashion.  Robert Tonner's forté of sculpting vinyl and porcelain dolls has set new industry standards."